In going for a darker, low-pass portrait, Belluso needed to isolate his subject from the rest of the hangar, while still providing the highlights he needed to accent the glider in the background. In effect, he needed quite a bit of control over the intensity and directionality of his light. With the the Dou Discus gilder, this was done by hoisting the wing strip lights far above the wings and aligning them with the contours.
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